The author argues that schooling can be divided into three categories—organized education, home‑schooling, and self‑education—and claims that only self‑education truly works because it lets students learn at a pace and sequence that matches their existing knowledge, free from the constraints of standardized tests and curricula. They explain how travel and immersion in diverse cultures enhance learning for both architecture/archaeology enthusiasts and nature lovers, while home‑schooling is seen as merely an extension of self‑education with family tutors rather than a formal system. The post criticizes organized education for its money‑driven, grade‑centric, and statistics‑oriented approach, which the author believes stifles individual success; it suggests that computers could replace standardized lesson plans by providing personalized, student‑controlled curricula and even proposes paying students for their study as part of a future universal income program. Overall, the piece presents self‑education as the most effective method, home‑schooling as a family‑based support system, and organized education as broken but potentially salvageable if it abandons standardisation for personalized learning.

The post argues that modern educational institutions rely on “numbers” – grades, diplomas, and tuition fees – rather than real learning, so teachers and administrators focus on rote memorisation to keep students quiet and profitable. This system of “fake education” leaves pupils feeling intelligent yet unprepared, which the author links to broader problems such as vaccine‑hesitancy and a culture of manipulation. He claims that true knowledge comes from self‑directed study, following one’s own curiosity, rather than institutional tests, and urges students to learn about these flaws, support each other, and use the experience to become genuinely wise beings.

I spent hours designing and printing a series of 3‑D‑printed wallets that combine thin modular layers with functional screws to solve the overhang problem without supports. Using the shape of an IC 380 firearm as inspiration, I carved the wallet’s main body by subtracting a pocket for cards and keys, then punched holes that serve both aesthetic and structural purposes. The design is intentionally modular so that parts printed once can be reused in future models, and I’ve experimented with different PLA colors to achieve a sturdy yet lightweight construction. Overall, my approach turns 3‑D printing into an artistic, mechanical craft where every screw and overhang is purposefully integrated rather than simply added as a support.

The post proposes an open‑source local‑network appliance that mirrors selected websites into a single database, prefetching and caching their content so users can browse them offline or on slow connections; the system would run on devices like Raspberry Pi, pull data via plugins or downloads, store it in a structured DB, expose it through a minimalist web server, and allow GUI clients—including RSS readers—to access the cached pages. The idea aims to simplify Internet use, improve speed for low‑bandwidth users, enable easy transfer of up‑to‑date sites to remote areas, and provide learning opportunities in web crawling, storage, and rendering.

The post argues that mastering color is essential for any painter and explains how early artists began with simple black‑and‑white sketches before layering translucent glazes to add depth. It emphasizes the importance of understanding primary mixing, using a color wheel to create complementary hues, desaturating by blending opposites, and adding white for brightness—all while maintaining harmony across multiple themes in one work. The author cites the Mona Lisa as an example of layered color schemes that remain balanced, warning against poor restorations that disturb this equilibrium. Finally, it encourages artists to build their own palettes by mixing colors into small jars stored in a vintage cupboard, treating these personal palettes as living tools that inspire further creative expression.

This post argues that invention is accessible through a variety of flexible creative tools—starting with 3D printing and modeling, extending to drawing robots, sheet‑metal kits, and even simple photo or generative‑art sales—and shows how modest projects can generate income (for example a custom crown or wood‑grain textures) while providing stepping stones toward larger inventions; by beginning with any small creation and iterating on it one can continually improve ideas, keep the inventive momentum alive, and eventually turn those experiments into full‑blown products.

We are celestial beings from the Milky Way who learn by exploring knowledge on our own adventures and through stories narrated by great storytellers; we recognize that each person grows uniquely, so schools must treat students as individuals rather than grading them uniformly. Our mind is our wealth, yet hunger, homelessness, and poverty must be eliminated so everyone can flourish; this requires reconfiguring financial systems to benefit all humans. We learn from books in different sequences but still need their wisdom, and we must remember past tragedies to avoid wars—national borders are imagined, and we are one family of world citizens. The path forward is a journey of wisdom and greatness, or “growing up,” which will reveal our true selves; by aiming for authenticity and long‑term vision we can create a global culture that converges on wisdom and world peace.

The post argues that students often view trigonometry as useless because teachers focus on memorizing formulas for tests rather than applying concepts, leading to a system where grades drive teaching rather than learning. The author criticizes the rote‑learning culture and suggests using practical projects—simple programming tutorials, free‑hand languages, 3D screen‑sav­ers, and pixel‑art games—to make mathematics tangible and engaging. By integrating such hands‑on activities into school curricula, students could see real applications of math, thereby breaking the cycle of memorization, grade‑driven teaching, and parental pressure that perpetu­ates a broken education system. If this approach is adopted, graduates would possess practical knowledge, be ready to co‑found startups, and bring about a meaningful future for humanity.

The post explains how to use different types of projectors to display and analyze portrait photos, adjust them with editing tools like posterization, study shadow layers for painting, and then develop and exhibit your own artworks.

Wisdom, the author argues, is humanity’s best invention and the sole route to preventing problems; yet modern society still suffers from poor application of it—people ignore masks, refuse vaccines, and leaders fail to act wisely. The post claims that culture and education are the root causes: schools only teach memorization and showmanship, while true learning arises when students create pixel art or code, igniting their inner flame and making them feel they belong to humanity’s future. A school must therefore cultivate a culture of wisdom, class, and authenticity; otherwise it merely produces machines who can’t invent. The author calls for self‑education, artistic creation, and a new kind of schooling that truly brings wisdom into people’s lives so that the world will no longer “run in circles without result.”

The post is an ode to learning as a personal journey rather than a rigid system: it urges readers to let their own interests guide course choices and study independently so that knowledge becomes interconnected and creative. It claims that subjects like mathematics are not isolated but part of larger projects—such as building a fractal MUD or creating animated screensavers—which show how theory turns into practice. The author also encourages self‑made art, music, circuit design, and 3D modeling, stressing that tools (LMMS, simulation software, printing) simply reveal the underlying concepts already known. By combining these activities, one can weave knowledge into a tapestry of invention and expression, thereby turning learning into an ongoing adventure rather than a series of exams.

Learning is presented as an art that thrives on incremental steps: small, consistent bits of knowledge accumulate into a richer toolkit rather than grand, single‑move mastery. The author contrasts rote memorization with purposeful practice, urging readers to “sharpen wit” through repeated engagement and experimentation—illustrated by his own pursuit of drums, music composition, and circuit design using software. He argues that mastering one domain is less important than the continual expansion of curiosity; unfinished works are valuable milestones that reveal growth. The piece celebrates the beauty in being a “jack of all trades,” emphasizing that enjoyment and real practice outweigh passing tests. Ultimately, the post invites readers to cherish each small learning moment, believing that gradual progress will eventually yield appealing creations and a deeper understanding of life’s many connections.

The post argues that our true selves are often obscured by the manipulations and expectations of others—from early childhood through adulthood—and that the key to reclaiming that identity lies in conscious reflection and independent learning. It critiques the school system as a vehicle for rote memorization rather than genuine understanding, noting that grades rarely reflect real intelligence. By immersing oneself in narrative books, adventures, and continuous reading, one can build original thought, wisdom, and a personal path that ultimately leads to self‑actualized writing or philosophy. In short, the author urges us to keep our own way through life, to let each lesson connect, and to never rely on grades or popular trends to define who we are.

I moved to America and found myself immersed in Turkish culture—my aunt’s welcoming celebration included traditional foods like mushrooms and cranberries that made me feel like a dignitary. While working as a programmer in Redford, I discovered a nearby turkey farm that inspired me both literally and metaphorically: the turkeys taught me that work should be creative, not just for its own sake, which led me to compose a song featuring tom‑tom drums, snare beats, hi‑hats, and playful “turkey” sounds, culminating in an MP3 I share for others to enjoy.

I recount my fourth‑grade battles with a father‑influenced bully, showing how his early manipulation led to endless fights while I learned from them that early wisdom can stop such violence.

A tiny, inexpensive audio player—powered by simple batteries, equipped with earbuds, and controlled by a single button that plays in shuffle mode—hosts several thousand short poems (10‑15 minutes each) that aim to unite humanity and restore the lost wisdom of learning. Each poem is narrated by a young voice and covers themes from arts, music, and programming to science, economics, and personal growth; it explains concepts such as a new kind of international bank with daily spending limits, free cards for all people, and the basics of astronomy, chemistry, psychology, etc. The device’s goal is to bring peace, wisdom, and freedom to listeners worldwide—helping them sleep, inspiring love for knowledge, and ultimately uniting the world in pursuit of shared goals of peace and wisdom.

The author explains how they began an art‑book project for beginners, outlining a three‑step process: record your thoughts while drawing, illustrate the tools you use, and photograph each piece for later reference. They suggest starting with simple supplies—graphite pencils, paper, and basic light sources—then mastering hard lighting and deep shadows to bring portraits alive. The book will include free copies and practical tips such as using a projector or photo‑editing software for tracing, while encouraging multiple sketches so the artist can capture a subject’s essence through iterative refinement.

The post reflects on how each new generation must learn from the past, drawing inspiration from thinkers like Socrates and Nietzsche, and continually rebuild its own philosophical framework by keeping the best ideas alive while discarding the inauthentic; it urges contemporary leaders to join that lineage and to provide books, museums, and memoirs that help people see through lies, indoctrination, and misused money, so they can correct past mistakes and use humanity’s tools wisely; ultimately it calls for a global convergence of wisdom that will let humanity unite and thrive rather than scatter.

The post argues that traditional school divisions and curricula are fundamentally broken, relying on rote memorization and corporate interests rather than true learning; it criticizes how teachers and publishers treat programming like a commodity, while companies profit from language tools and hardware, yet students finish the semester with little real output. It then proposes an alternative: self‑education through free software, hands‑on 3D printing (using a Creality Ender 3 V2 printer and its auto‑leveling kit), and step‑by‑step tutorials in Blender and Prusa Slicer, which let students design and print tangible objects at home. By contrast, the author claims this “real” learning produces lasting results, whereas the “fake” education system merely promises but fails to deliver practical skills or knowledge.

The post argues that modern schooling often teaches mathematics in abstract, disconnected ways—like “balanced education” or isolated lectures—that leave students unable to see why a subject matters. The author claims this approach turns learning into mere memorization and fraud, because grades can be manipulated while real understanding is missed. They suggest that embedding math within engaging contexts (e.g., game design, generative art, orbital dynamics) helps learners grasp concepts naturally, making lessons coherent rather than fragmented. By framing subjects around students’ own goals and using hands‑on projects, the post believes learning will become meaningful, reducing fraud and boosting genuine competence.

The writer reflects on their personal experience with schooling, arguing that formal education offers only a superficial “taste” of knowledge rather than true learning; they criticize the reliance on grades, debt, and rigid testing as mechanisms that treat students like cogs in a machine. They claim that true genius comes from self‑study and independent reading—citing Hawking and Einstein as examples of individuals who expanded their understanding through continual discovery—not just schooling. The narrator recounts how books such as *Robinson Crusoe* brought adventure and depth to their mind, far beyond the narrow curriculum of school, and concludes that learning is most profound when it comes from personal exploration rather than institutional instruction.

The poem celebrates how every form of art—painting, sculpture, music, writing, programming, and even 3‑D printing—serves as a subtle analogy that expands the mind, deepens insight, and heals the spirit; it shows that an artist requires varied spaces and tools to develop precision and consistency, yet the act of creation itself is what shapes the artist more than any audience or show, and invites all of us to begin creating from our hearts.

The post reflects on humanity’s cosmic roots—our existence forged by countless stellar explosions and the vast experiments of physics and chemistry—and on the profound questions that arise from it: why we are here, what gives life meaning, and what follows after death. It uses stars as metaphors for those questions, noting that stardust forms our bodies and that light from distant galaxies carries memories of the past. The author then connects this cosmic perspective to practical human concerns, arguing that education—through schools, audio‑books, and shared knowledge—can dissolve borders, end poverty, reduce crime, and prevent wars; by learning to pick good ideas from bad ones, we can build a united family under one sun.

In the post the author explains how to build a simple yet effective drum‑based sequence in LMMS by first laying out a basic Beat+BassLine pattern at 140 bpm, then duplicating it with a slight variation on every second beat to create rhythmic interest. He shows that low‑pitched drums (bass) are less frequent than high‑pitched ones (cymbals), and demonstrates how adding just one extra hit in the duplicate section turns a simple drum loop into a melodic line. After covering bass and mid‑frequency layers, he adds high‑frequency clicks or sticks to break repetition, then finishes by applying reverb from the FX mixer to give the whole arrangement depth and polish. The result is a short “full song” example that illustrates pattern creation, variation, layering, and basic mixing techniques in LMMS.